Milka belia havel (1571-1631) has been constantly pursuing order in a chaotic world, presenting it in the form of words and naming it "the face of god", but these records have been partially lost. This exhibition at the vandalorum Art Museum in Sweden is based on this, through the re-creation of works and pictures, highlighting the life and work of the Czech entomologist and artist milka havel. The artist, who has been forgotten by people, has been given a new life by the re-emergence of these interpretations, words and their original works.
The centerpiece of the exhibition – a walnut funnel-shaped device that amplifies insect sounds
The face of god was the result of two years of work under the framework of the “form follows fiction†project, which was implemented by the Art and Design Group mold. The exhibition combines Baroque style with modernism, design art and science, and occultism. As a metaphor for occultism, insects are also tools for studying meaning. The centerpiece of the exhibition is a four-meter-long walnut funnel-shaped device that magnifies the sound of insects.
The minimalist expression is combined with Baroque to portray the work while focusing on the narrative qualities of the design. Through textual and narrative forms, mold questions about the ownership of history, the characters that are permanently remembered, and why illusions can change life experiences and how it changes human experience. Along with the exhibition, a book was published. The authors of the article include professor and cultural writer ingrid elam, writer and biologist fredrik sjöberg, all of which elaborated on the importance of milka havel in today's society.
Worm incubator
The face of god exhibition implemented by the fiction project explores the tension between fantasy and reality, art and science, history and modernity, and text and works through different cross-border approaches. The specific starting point of the project is to use the exhibition as a historical genre and a fantasy display platform created by it. Jorge Luis borges, a writer from Argentina, played an important role in the project, and his literary work described the game between reality and fantasy.
Meditation device for listening to bee sounds
The starting point of the project is the fantasy that the design field has always played a driving role. This starting point is critical to the rational view of designing and solving problems. The purpose of form follows fiction is to strengthen the role of fantasy and fantasy as a tool for developing, changing design, and designing tools.
Tool for catching insects
From an artistic point of view, the project is closely related to tradition, involving contemporary designers, artists and projects, including dunne & raby, maywa denki, musée patamécanique, walid raad's the atlas group, the museum of jurassic technology, bonk business inc, hokes Archives, etc., as well as historical predecessors such as jaques carelman's catalog d'objets introuvables. Both the project and the participants obtained nutrients in a different way from the tension between reality and fantasy, language and words, artistic techniques and healing methods.
The face of god exhibition can be said to be a space novel, researching and investigating the importance of fantasy to artistic creation, its form and content have created new meanings, mapping the discussion of modern design and simultaneously for different visitors. Interpretation.
Fluorescent lighting sofa bed
Butterfly table
Reconstructed milka havel residence
Project information:
Location: vandalorum museum
Date: As of January 28, 2018
Design team: karl-johan ekeroth, johnny friberg, håkan jutblad, jesper norda, mattias rask, christian strömqvist and frej wichmann
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