The imitation and identification of oil painting fakes

Those who are familiar with the Chinese art market know that China's painting and calligraphy products, bronze wares, and porcelain miscellaneous jade articles have a long history and rich experience. Unbelievable ideas can't be judged by experts. Even the identification of various experts, scholars, and scientific and technological means fails. . In fact, “oil paintings and fakes” reached a superb stage in the media technique and the mood of ambiguity, and were not the same as the low-level copying of Chen Yifei’s fake products mentioned earlier.

I remember one study of Xu Beihong’s early oil paintings. The teachers were difficult to discern with their own in-laws. They all expressed their opinions and speculations. Until the famous Shanghai collectors arrived later, they gave clear and credible reasons. He first carefully explored the exposed linen on the outside of the inner frame, and then took out a high-powered magnifying glass to carefully examine the texture and weave of the canvas. To be clear, this must be Xu Beihong's professional canvas in the Nanyang period. However, seeing the part of the draft that is loomingly visible in the corners of the original book, it is said that the power of this brushwork and stroke should not be something of Tsui's, but later it is said that the specific color, the brushwork in one place, or even the signature brushstroke... In short, This should be a masterpiece of master craftsmanship.

There is also a well-known foreign case. In the film "Theft of Leonardo da Vinci," the thief, Summa, invited the master painter Hagen and his grandmother, Ma Qiao, who is very talented in reproduction, to draw a picture that could be copied Goods, and also painted a few fakes, hoping to sell a big price. It completely blinded the professionals at the time and thought that they would finally return to Zhao. In the end, it was only in the heart of the famous American museum curator that the "Impression" was revealed. In the original "Silver Rat" held by the noble lady, there were a total of seven beards. Only six of the fakes were found. And indicate that this is a master of fine arts, only deliberately left the answer in this clever place.

As we all know, if it is a low-grade counterfeit product, it is naturally easy to identify. The shape, structure, shape, and color of the work are all very incongruous, and it is even more aesthetic in terms of the style of the artist, the artistic conception of the work, and the charm of the transmission. Far away. However, if it is based on superb technical means and assisted by a professional manufacturing process, it is naturally not easy to identify.

However, it can be inspected. The summary of ART Art FUSEE has the following aspects:

First of all, we should observe the charm and atmosphere of the works with our own hearts and honesty. The height and integrity, vividness and coherence of this aesthetic conception cannot be carried by imitations.

The second is to systematically understand the unique habits of the artist in the use of paints, canvases, bottom-making techniques, and blending of oils in oil paintings at that time. Knowing these, it is easy to use physical and technological means for physical identification.

Again with the help of now more advanced and portable high-tech equipment, such as high-power (self-illuminated) magnifiers, infrared rays, and ultraviolet scanning pens, which can be identified through direct examination of the internal structure of the work, and these devices will not Picture hurts.

More importantly, through continuous learning and accumulation, the artist's creative process, anti-counterfeiting methods, signature skills, and even anecdotes are identified; through the constant visits to museums, art galleries, and the subtle feelings of cultivating art... After several years of down time, it will be possible to become a true expert in case of being "drilled" and to share and communicate with friends to experience the realm of beauty and the mysteries of art.

Of course, this kind of learning is not a book, even a novel can be referenced, but the real history, anthropology, identification, archaeological works, as well as the artist's own diary, notes, letters, professional accumulation The experience and the appraisal of the heart are based on combing, summarizing and summarizing the numerous works of the same artist, extracting the DNA code you are familiar with, so as to be clear and bright in the eyes of the future aesthetics and identification.